Events Listed As Arts and Entertainment

Pack your picnic and join the Ball State Greater Indianapolis Alumni Chapter to enjoy the music of Tom Petty with fellow alumni at the annual Symphony on the Prairie Outing!

Sept. 10-18This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Sept. 10-18This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Sept. 10-18This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Sept. 10-18This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Sept. 10-18This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Sept. 10-18This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Sept. 10-18This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Sept. 10-18This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Sept 21- Oct. 2 How do you plan for a catastrophe? Virologist Nathan Wolfe, named one of TIME’s 100 Most Influential People in the World for his work tracking viral pandemic outbreaks, proposed pandemic insurance years before the novel coronavirus outbreak. No one bought it. Now, in a post-COVID world, we hear his story—presented as cinematic digital theatre. MTC Playwright in Residence Lauren Gunderson returns with a time-jumping tale based on the life and work of Nathan Wolfe (who also happens to be her husband). Though not a play about COVID19, it is a true story of a pandemic expert. An interactive deep dive into the profundities of scientific exploration and the harrowing realities of facing your own mortality, The Catastrophist is a world premiere theatrical experience built of and for this moment in time.

7:30 p.m. | Emens Auditorium

Sept. 23 - Oct. 2 Mordy is a struggling musician living in Los Angeles. His older sister Jane is a successful attorney and a mother of three in New Jersey. But when their widowed mother's life becomes emotionally and financially taxed by her terrible, centenarian father, these two adult siblings are drawn together into an elaborate plot to relieve their mother’s burden and their own. Told almost entirely via text messages, The Burdens is a dark, family comedy about how technology helps keep us close, while still enabling us to keep our distance. It’s sometimes easier to type something than it is to say it face to face. But please, be careful of auto-correct. It can be murder.

Sept 21- Oct. 2 How do you plan for a catastrophe? Virologist Nathan Wolfe, named one of TIME’s 100 Most Influential People in the World for his work tracking viral pandemic outbreaks, proposed pandemic insurance years before the novel coronavirus outbreak. No one bought it. Now, in a post-COVID world, we hear his story—presented as cinematic digital theatre. MTC Playwright in Residence Lauren Gunderson returns with a time-jumping tale based on the life and work of Nathan Wolfe (who also happens to be her husband). Though not a play about COVID19, it is a true story of a pandemic expert. An interactive deep dive into the profundities of scientific exploration and the harrowing realities of facing your own mortality, The Catastrophist is a world premiere theatrical experience built of and for this moment in time.

Sept. 23 - Oct. 2 Mordy is a struggling musician living in Los Angeles. His older sister Jane is a successful attorney and a mother of three in New Jersey. But when their widowed mother's life becomes emotionally and financially taxed by her terrible, centenarian father, these two adult siblings are drawn together into an elaborate plot to relieve their mother’s burden and their own. Told almost entirely via text messages, The Burdens is a dark, family comedy about how technology helps keep us close, while still enabling us to keep our distance. It’s sometimes easier to type something than it is to say it face to face. But please, be careful of auto-correct. It can be murder.

Sept 21- Oct. 2 How do you plan for a catastrophe? Virologist Nathan Wolfe, named one of TIME’s 100 Most Influential People in the World for his work tracking viral pandemic outbreaks, proposed pandemic insurance years before the novel coronavirus outbreak. No one bought it. Now, in a post-COVID world, we hear his story—presented as cinematic digital theatre. MTC Playwright in Residence Lauren Gunderson returns with a time-jumping tale based on the life and work of Nathan Wolfe (who also happens to be her husband). Though not a play about COVID19, it is a true story of a pandemic expert. An interactive deep dive into the profundities of scientific exploration and the harrowing realities of facing your own mortality, The Catastrophist is a world premiere theatrical experience built of and for this moment in time.

Sept. 23 - Oct. 2 Mordy is a struggling musician living in Los Angeles. His older sister Jane is a successful attorney and a mother of three in New Jersey. But when their widowed mother's life becomes emotionally and financially taxed by her terrible, centenarian father, these two adult siblings are drawn together into an elaborate plot to relieve their mother’s burden and their own. Told almost entirely via text messages, The Burdens is a dark, family comedy about how technology helps keep us close, while still enabling us to keep our distance. It’s sometimes easier to type something than it is to say it face to face. But please, be careful of auto-correct. It can be murder.

Sept 21- Oct. 2 How do you plan for a catastrophe? Virologist Nathan Wolfe, named one of TIME’s 100 Most Influential People in the World for his work tracking viral pandemic outbreaks, proposed pandemic insurance years before the novel coronavirus outbreak. No one bought it. Now, in a post-COVID world, we hear his story—presented as cinematic digital theatre. MTC Playwright in Residence Lauren Gunderson returns with a time-jumping tale based on the life and work of Nathan Wolfe (who also happens to be her husband). Though not a play about COVID19, it is a true story of a pandemic expert. An interactive deep dive into the profundities of scientific exploration and the harrowing realities of facing your own mortality, The Catastrophist is a world premiere theatrical experience built of and for this moment in time.

Sept. 23 - Oct. 2 Mordy is a struggling musician living in Los Angeles. His older sister Jane is a successful attorney and a mother of three in New Jersey. But when their widowed mother's life becomes emotionally and financially taxed by her terrible, centenarian father, these two adult siblings are drawn together into an elaborate plot to relieve their mother’s burden and their own. Told almost entirely via text messages, The Burdens is a dark, family comedy about how technology helps keep us close, while still enabling us to keep our distance. It’s sometimes easier to type something than it is to say it face to face. But please, be careful of auto-correct. It can be murder.

Sept. 23- Oct 2 Roe v. Wade, the landmark 1973 case that legalized abortion, is still fiercely debated over forty years later. In this incisive play, acclaimed writer Lisa Loomer cuts through the headlines and rhetoric to reveal the divergent personal journeys of lawyer Sarah Weddington and plaintiff Norma McCorvey ("Jane Roe") in the years following the fateful decision. In turns shocking, humorous, and poignant, ROE reflects the polarization in America today while illuminating the heart and passion each side has for its cause.

Sept. 23 - Oct. 2 Mordy is a struggling musician living in Los Angeles. His older sister Jane is a successful attorney and a mother of three in New Jersey. But when their widowed mother's life becomes emotionally and financially taxed by her terrible, centenarian father, these two adult siblings are drawn together into an elaborate plot to relieve their mother’s burden and their own. Told almost entirely via text messages, The Burdens is a dark, family comedy about how technology helps keep us close, while still enabling us to keep our distance. It’s sometimes easier to type something than it is to say it face to face. But please, be careful of auto-correct. It can be murder.

Sept. 23 - Oct. 2 Mordy is a struggling musician living in Los Angeles. His older sister Jane is a successful attorney and a mother of three in New Jersey. But when their widowed mother's life becomes emotionally and financially taxed by her terrible, centenarian father, these two adult siblings are drawn together into an elaborate plot to relieve their mother’s burden and their own. Told almost entirely via text messages, The Burdens is a dark, family comedy about how technology helps keep us close, while still enabling us to keep our distance. It’s sometimes easier to type something than it is to say it face to face. But please, be careful of auto-correct. It can be murder.

7:30 p.m. | Emens Auditorium

7:30 p.m. | Emens Auditorium

Oct. 15-17 A series of solos and duets that encompass the themes associated with the title.

Oct. 15-17 A series of solos and duets that encompass the themes associated with the title.

Oct. 15-17 A series of solos and duets that encompass the themes associated with the title.

Join us for an exciting in-person fall full of tradition, pride, and spirit during our Homecoming 2021 activities!

Join us for an exciting in-person fall full of tradition, pride, and spirit during our Homecoming 2021 activities!

Join us for an exciting in-person fall full of tradition, pride, and spirit during our Homecoming 2021 activities!

Join us for an exciting in-person fall full of tradition, pride, and spirit during our Homecoming 2021 activities!

7:30 p.m. | Emens Auditorium

Oct 22-30 This dance piece follows a young girl and her family of dolls on a whimsical, sensual, and magical journey to a world where the lines between reality and imagination no longer exist. As these worlds collide, the audience catches a glimpse of the relationships between these characters, their worlds, and how they color and shape each other.

Oct 22-30 This dance piece follows a young girl and her family of dolls on a whimsical, sensual, and magical journey to a world where the lines between reality and imagination no longer exist. As these worlds collide, the audience catches a glimpse of the relationships between these characters, their worlds, and how they color and shape each other.

Oct. 26-31 As the New York World-Telegram & Sun describes: “In the basement of a long-abandoned restaurant, two hired killers nervously await their next assignment. Barred from daylight and living public contact by the nature of their work, they expend their waiting time in bickering. So eerie is the situation that everything becomes comic, or grotesque, or both. Ben re-reading a newspaper and exclaiming in disbelief over the news items, Gus fussing with an offstage stove and offstage plumbing. Ben bludgeoning Gus into silence if he as much as mentions their work. Gus worrying that someone had slept in his bed. So then the ancient dumbwaiter comes to life, the suspense becomes almost unbearable—that expertly has Pinter put the nerves of his characters and audience on edge."

Oct. 26-31 As the New York World-Telegram & Sun describes: “In the basement of a long-abandoned restaurant, two hired killers nervously await their next assignment. Barred from daylight and living public contact by the nature of their work, they expend their waiting time in bickering. So eerie is the situation that everything becomes comic, or grotesque, or both. Ben re-reading a newspaper and exclaiming in disbelief over the news items, Gus fussing with an offstage stove and offstage plumbing. Ben bludgeoning Gus into silence if he as much as mentions their work. Gus worrying that someone had slept in his bed. So then the ancient dumbwaiter comes to life, the suspense becomes almost unbearable—that expertly has Pinter put the nerves of his characters and audience on edge."

7:30 p.m. | Emens Auditorium

Oct 22-30 This dance piece follows a young girl and her family of dolls on a whimsical, sensual, and magical journey to a world where the lines between reality and imagination no longer exist. As these worlds collide, the audience catches a glimpse of the relationships between these characters, their worlds, and how they color and shape each other.

Oct 22-30 This dance piece follows a young girl and her family of dolls on a whimsical, sensual, and magical journey to a world where the lines between reality and imagination no longer exist. As these worlds collide, the audience catches a glimpse of the relationships between these characters, their worlds, and how they color and shape each other.

Oct. 26-31 As the New York World-Telegram & Sun describes: “In the basement of a long-abandoned restaurant, two hired killers nervously await their next assignment. Barred from daylight and living public contact by the nature of their work, they expend their waiting time in bickering. So eerie is the situation that everything becomes comic, or grotesque, or both. Ben re-reading a newspaper and exclaiming in disbelief over the news items, Gus fussing with an offstage stove and offstage plumbing. Ben bludgeoning Gus into silence if he as much as mentions their work. Gus worrying that someone had slept in his bed. So then the ancient dumbwaiter comes to life, the suspense becomes almost unbearable—that expertly has Pinter put the nerves of his characters and audience on edge."

Please join the School of Art for a presentation by Jacqueline Chao.

Nov. 5-13 Campbell is cheer-royalty at Truman High School and her senior year should prove the most cheertastic — she's been named captain of the squad! But, an unexpected redistricting has forced her to spend her final year of high school at the neighboring hard-knock Jackson High School. Despite having the deck stacked against her, Campbell befriends the dance crew girls and, along with their headstrong and hardworking leader, Danielle, manages to form a powerhouse squad for the ultimate competition — the National Championships.

7:30 p.m. | Pruis Hall

Nov. 5-13 Campbell is cheer-royalty at Truman High School and her senior year should prove the most cheertastic — she's been named captain of the squad! But, an unexpected redistricting has forced her to spend her final year of high school at the neighboring hard-knock Jackson High School. Despite having the deck stacked against her, Campbell befriends the dance crew girls and, along with their headstrong and hardworking leader, Danielle, manages to form a powerhouse squad for the ultimate competition — the National Championships.

Nov. 9-14 When Ben lands his dream job editing a feature-length documentary film to be screened at the prestigious Cannes Film Festival, he doesn’t realize that Cameron, the self-obsessed, maniacal director, is attached to a five-hour version and doesn’t want to touch a frame. And when Libby, the previous editor who Cameron fired after they began to sleep together, returns demanding her job back, Ben finds himself suddenly caught between them. With only five days before the screening, Ben desperately attempts to satisfy everyone’s expectations while simultaneously create a work of art.

Nov. 9-14 When Ben lands his dream job editing a feature-length documentary film to be screened at the prestigious Cannes Film Festival, he doesn’t realize that Cameron, the self-obsessed, maniacal director, is attached to a five-hour version and doesn’t want to touch a frame. And when Libby, the previous editor who Cameron fired after they began to sleep together, returns demanding her job back, Ben finds himself suddenly caught between them. With only five days before the screening, Ben desperately attempts to satisfy everyone’s expectations while simultaneously create a work of art.

Nov. 9-14 When Ben lands his dream job editing a feature-length documentary film to be screened at the prestigious Cannes Film Festival, he doesn’t realize that Cameron, the self-obsessed, maniacal director, is attached to a five-hour version and doesn’t want to touch a frame. And when Libby, the previous editor who Cameron fired after they began to sleep together, returns demanding her job back, Ben finds himself suddenly caught between them. With only five days before the screening, Ben desperately attempts to satisfy everyone’s expectations while simultaneously create a work of art.

Nov. 9-14 When Ben lands his dream job editing a feature-length documentary film to be screened at the prestigious Cannes Film Festival, he doesn’t realize that Cameron, the self-obsessed, maniacal director, is attached to a five-hour version and doesn’t want to touch a frame. And when Libby, the previous editor who Cameron fired after they began to sleep together, returns demanding her job back, Ben finds himself suddenly caught between them. With only five days before the screening, Ben desperately attempts to satisfy everyone’s expectations while simultaneously create a work of art.

Nov. 5-13 Campbell is cheer-royalty at Truman High School and her senior year should prove the most cheertastic — she's been named captain of the squad! But, an unexpected redistricting has forced her to spend her final year of high school at the neighboring hard-knock Jackson High School. Despite having the deck stacked against her, Campbell befriends the dance crew girls and, along with their headstrong and hardworking leader, Danielle, manages to form a powerhouse squad for the ultimate competition — the National Championships.

Nov. 9-14 When Ben lands his dream job editing a feature-length documentary film to be screened at the prestigious Cannes Film Festival, he doesn’t realize that Cameron, the self-obsessed, maniacal director, is attached to a five-hour version and doesn’t want to touch a frame. And when Libby, the previous editor who Cameron fired after they began to sleep together, returns demanding her job back, Ben finds himself suddenly caught between them. With only five days before the screening, Ben desperately attempts to satisfy everyone’s expectations while simultaneously create a work of art.

Nov. 20-22 Selected works from dance majors highlighting the best in original dances that vary in style and form.

Nov. 20-22 Selected works from dance majors highlighting the best in original dances that vary in style and form.

Nov. 20-22 Selected works from dance majors highlighting the best in original dances that vary in style and form.

7:30 p.m. | Emens Auditorium

7:30 p.m. | Emens Auditorium

Dec. 9-18 The Ball State Department of Theatre and Dance is proud to once again bring to life Charles Dickens' most well-known and magical story, A Christmas Carol. Just like a favorite book or movie, this timeless story of wealthy curmudgeon Ebenezer Scrooge and his transformative journey resonates with young and old alike.

Dec. 9-18 The Ball State Department of Theatre and Dance is proud to once again bring to life Charles Dickens' most well-known and magical story, A Christmas Carol. Just like a favorite book or movie, this timeless story of wealthy curmudgeon Ebenezer Scrooge and his transformative journey resonates with young and old alike.

Dec. 9-18 The Ball State Department of Theatre and Dance is proud to once again bring to life Charles Dickens' most well-known and magical story, A Christmas Carol. Just like a favorite book or movie, this timeless story of wealthy curmudgeon Ebenezer Scrooge and his transformative journey resonates with young and old alike.

Dec. 9-18 The Ball State Department of Theatre and Dance is proud to once again bring to life Charles Dickens' most well-known and magical story, A Christmas Carol. Just like a favorite book or movie, this timeless story of wealthy curmudgeon Ebenezer Scrooge and his transformative journey resonates with young and old alike.

Dec. 9-18 The Ball State Department of Theatre and Dance is proud to once again bring to life Charles Dickens' most well-known and magical story, A Christmas Carol. Just like a favorite book or movie, this timeless story of wealthy curmudgeon Ebenezer Scrooge and his transformative journey resonates with young and old alike.

Dec. 9-18 The Ball State Department of Theatre and Dance is proud to once again bring to life Charles Dickens' most well-known and magical story, A Christmas Carol. Just like a favorite book or movie, this timeless story of wealthy curmudgeon Ebenezer Scrooge and his transformative journey resonates with young and old alike.

Dec. 9-18 The Ball State Department of Theatre and Dance is proud to once again bring to life Charles Dickens' most well-known and magical story, A Christmas Carol. Just like a favorite book or movie, this timeless story of wealthy curmudgeon Ebenezer Scrooge and his transformative journey resonates with young and old alike.

The School of Art is proud to present Pata Rajada, an exhibition by David Cuatlacuatl.

7:30 p.m. | Pruis Hall

7:30 p.m. | Emens Auditorium

7:30 p.m. | Emens Auditorium

Feb. 11-19 As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved she's traveling across the Deep South in 1964 towards a miracle – the healing touch of a TV evangelist who will make her beautiful. Although she may not succeed in having the scar on her face healed, Violet is able to repair those scars that are lying deeper than her skin. On the way, she meets a young, African-American soldier whose love for her reaches far past her physical "imperfections."

Feb. 11-19 As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved she's traveling across the Deep South in 1964 towards a miracle – the healing touch of a TV evangelist who will make her beautiful. Although she may not succeed in having the scar on her face healed, Violet is able to repair those scars that are lying deeper than her skin. On the way, she meets a young, African-American soldier whose love for her reaches far past her physical "imperfections."

Feb. 11-19 As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved she's traveling across the Deep South in 1964 towards a miracle – the healing touch of a TV evangelist who will make her beautiful. Although she may not succeed in having the scar on her face healed, Violet is able to repair those scars that are lying deeper than her skin. On the way, she meets a young, African-American soldier whose love for her reaches far past her physical "imperfections."

Feb.15-20 Rose’s friends, who have never felt real emotions, can’t help her. Rose Evelyn Hawthorne lives in Pintop, a city, really more of a town, and she's unraveling. Then she’s accused of murder.

Feb. 11-19 As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved she's traveling across the Deep South in 1964 towards a miracle – the healing touch of a TV evangelist who will make her beautiful. Although she may not succeed in having the scar on her face healed, Violet is able to repair those scars that are lying deeper than her skin. On the way, she meets a young, African-American soldier whose love for her reaches far past her physical "imperfections."

Feb. 11-19 As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved she's traveling across the Deep South in 1964 towards a miracle – the healing touch of a TV evangelist who will make her beautiful. Although she may not succeed in having the scar on her face healed, Violet is able to repair those scars that are lying deeper than her skin. On the way, she meets a young, African-American soldier whose love for her reaches far past her physical "imperfections."

Feb. 11-19 As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved she's traveling across the Deep South in 1964 towards a miracle – the healing touch of a TV evangelist who will make her beautiful. Although she may not succeed in having the scar on her face healed, Violet is able to repair those scars that are lying deeper than her skin. On the way, she meets a young, African-American soldier whose love for her reaches far past her physical "imperfections."

Feb. 11-19 As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved she's traveling across the Deep South in 1964 towards a miracle – the healing touch of a TV evangelist who will make her beautiful. Although she may not succeed in having the scar on her face healed, Violet is able to repair those scars that are lying deeper than her skin. On the way, she meets a young, African-American soldier whose love for her reaches far past her physical "imperfections."

Feb.15-20 Rose’s friends, who have never felt real emotions, can’t help her. Rose Evelyn Hawthorne lives in Pintop, a city, really more of a town, and she's unraveling. Then she’s accused of murder.

7:30 p.m. | Emens Auditorium

7:30 p.m. | Sursa Hall

Feb. 23-27This is a hip-hop dance concert that will explore the hip-hop culture through choreography and performance. The piece will look at hip-hop through a concert dance lens rather than solely a commercialized dance style, and how it translates from a street dance form to the concert stage.

Feb. 25 - Mar. 3 Jordan Berman would love to be in love, but that’s easier said than done. So until he meets Mr. Right, he wards off lonely nights with his trio of close girlfriends. But as singles’ nights turn into bachelorette parties, Jordan discovers that the only thing harder than finding love is supporting the loved ones around you when they do. From the critically acclaimed writer who brought you Bad Jews.

Feb. 23-27This is a hip-hop dance concert that will explore the hip-hop culture through choreography and performance. The piece will look at hip-hop through a concert dance lens rather than solely a commercialized dance style, and how it translates from a street dance form to the concert stage.

Feb. 23-27This is a hip-hop dance concert that will explore the hip-hop culture through choreography and performance. The piece will look at hip-hop through a concert dance lens rather than solely a commercialized dance style, and how it translates from a street dance form to the concert stage.

Feb. 25 - Mar. 3 Jordan Berman would love to be in love, but that’s easier said than done. So until he meets Mr. Right, he wards off lonely nights with his trio of close girlfriends. But as singles’ nights turn into bachelorette parties, Jordan discovers that the only thing harder than finding love is supporting the loved ones around you when they do. From the critically acclaimed writer who brought you Bad Jews.

7:30 p.m. | Pruis Hall

Feb. 25 - Mar. 3 Jordan Berman would love to be in love, but that’s easier said than done. So until he meets Mr. Right, he wards off lonely nights with his trio of close girlfriends. But as singles’ nights turn into bachelorette parties, Jordan discovers that the only thing harder than finding love is supporting the loved ones around you when they do. From the critically acclaimed writer who brought you Bad Jews.

Feb. 25 - Mar. 3 Jordan Berman would love to be in love, but that’s easier said than done. So until he meets Mr. Right, he wards off lonely nights with his trio of close girlfriends. But as singles’ nights turn into bachelorette parties, Jordan discovers that the only thing harder than finding love is supporting the loved ones around you when they do. From the critically acclaimed writer who brought you Bad Jews.

7:30 p.m. | Pruis Hall

7:30 p.m. | Emens Auditorium

Mar. 22 - 27 A close-up on the lives of Faye - an artist - and Nico - an athlete - as they float towards and away from each other over two decades. this linear drama explores the tightrope of chasing dreams, coping with grief, the intimacy of friendship, loneliness, and the idea that home can be a person as well as a place. how do you let go of what you're helplessly tied to?

Mar. 22 - 27 A close-up on the lives of Faye - an artist - and Nico - an athlete - as they float towards and away from each other over two decades. this linear drama explores the tightrope of chasing dreams, coping with grief, the intimacy of friendship, loneliness, and the idea that home can be a person as well as a place. how do you let go of what you're helplessly tied to?

Mar. 22 - 27 A close-up on the lives of Faye - an artist - and Nico - an athlete - as they float towards and away from each other over two decades. this linear drama explores the tightrope of chasing dreams, coping with grief, the intimacy of friendship, loneliness, and the idea that home can be a person as well as a place. how do you let go of what you're helplessly tied to?

Mar. 25- April 2 15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.

Mar. 25- April 2 15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.

Join alumni and friends for a memorial concert as we celebrate the life of School of Music Professor, Dr. William Wakeland.

Mar. 25- April 2 15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.

Mar. 25- April 2 15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.

Mar. 25- April 2 15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.

April 1-3 Selected works from dance majors highlighting the best in original dances that vary in style and form.

Mar. 25- April 2 15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.

April 1-3 Selected works from dance majors highlighting the best in original dances that vary in style and form.

Apr 5-10 Since the beginning of time, the three Furies have dedicated their immortal lives to the ancient honorable principle of a slit throat for a slit throat. But when a young man walks into hell seeking help to avenge his father’s death—by killing his mother—they draw the line. And when he ignores their warnings against matricide and then begs for mercy, the order of the universe hangs in the balance.

Apr 5-10 Since the beginning of time, the three Furies have dedicated their immortal lives to the ancient honorable principle of a slit throat for a slit throat. But when a young man walks into hell seeking help to avenge his father’s death—by killing his mother—they draw the line. And when he ignores their warnings against matricide and then begs for mercy, the order of the universe hangs in the balance.

Apr 5-10 Since the beginning of time, the three Furies have dedicated their immortal lives to the ancient honorable principle of a slit throat for a slit throat. But when a young man walks into hell seeking help to avenge his father’s death—by killing his mother—they draw the line. And when he ignores their warnings against matricide and then begs for mercy, the order of the universe hangs in the balance.

April 8-16 Set in 1870, a struggling homestead in the American Great Plains receives new life with the discovery of dinosaur bones. (SKIN & BONES was developed as part of the Grow A Show program at the Lied Center for Performing Arts, University of Nebraska-Lincoln, with further development at The PiTCH (Finger Lakes Musical Theatre Festival) and SigWorks Musical Theatre Lab (Signature Theatre).

April 8-16 Set in 1870, a struggling homestead in the American Great Plains receives new life with the discovery of dinosaur bones. (SKIN & BONES was developed as part of the Grow A Show program at the Lied Center for Performing Arts, University of Nebraska-Lincoln, with further development at The PiTCH (Finger Lakes Musical Theatre Festival) and SigWorks Musical Theatre Lab (Signature Theatre).

April 8-16 Set in 1870, a struggling homestead in the American Great Plains receives new life with the discovery of dinosaur bones. (SKIN & BONES was developed as part of the Grow A Show program at the Lied Center for Performing Arts, University of Nebraska-Lincoln, with further development at The PiTCH (Finger Lakes Musical Theatre Festival) and SigWorks Musical Theatre Lab (Signature Theatre).

7:30 p.m. | Emens Auditorium

April 8-16 Set in 1870, a struggling homestead in the American Great Plains receives new life with the discovery of dinosaur bones. (SKIN & BONES was developed as part of the Grow A Show program at the Lied Center for Performing Arts, University of Nebraska-Lincoln, with further development at The PiTCH (Finger Lakes Musical Theatre Festival) and SigWorks Musical Theatre Lab (Signature Theatre).

7:30 p.m. | Emens Auditorium

April 8-16 Set in 1870, a struggling homestead in the American Great Plains receives new life with the discovery of dinosaur bones. (SKIN & BONES was developed as part of the Grow A Show program at the Lied Center for Performing Arts, University of Nebraska-Lincoln, with further development at The PiTCH (Finger Lakes Musical Theatre Festival) and SigWorks Musical Theatre Lab (Signature Theatre).

April 8-16 Set in 1870, a struggling homestead in the American Great Plains receives new life with the discovery of dinosaur bones. (SKIN & BONES was developed as part of the Grow A Show program at the Lied Center for Performing Arts, University of Nebraska-Lincoln, with further development at The PiTCH (Finger Lakes Musical Theatre Festival) and SigWorks Musical Theatre Lab (Signature Theatre).

April 8-16 Set in 1870, a struggling homestead in the American Great Plains receives new life with the discovery of dinosaur bones. (SKIN & BONES was developed as part of the Grow A Show program at the Lied Center for Performing Arts, University of Nebraska-Lincoln, with further development at The PiTCH (Finger Lakes Musical Theatre Festival) and SigWorks Musical Theatre Lab (Signature Theatre).

April 27-30 Coppelia is a comedic ballet originally choreographed by Arthur Saint-Leon to music by Leo Delibes. Dr. Coppelius is a doctor who has made a life-size dancing doll. It is so lifelike that Franz, a village youth, becomes infatuated with it and sets aside his heart's true desire, Swanhilda. She shows him his folly by dressing as the doll, pretending to make it come to life and ultimately saving him from an untimely end at the hands of the inventor.

April 27-30 Coppelia is a comedic ballet originally choreographed by Arthur Saint-Leon to music by Leo Delibes. Dr. Coppelius is a doctor who has made a life-size dancing doll. It is so lifelike that Franz, a village youth, becomes infatuated with it and sets aside his heart's true desire, Swanhilda. She shows him his folly by dressing as the doll, pretending to make it come to life and ultimately saving him from an untimely end at the hands of the inventor.

April 27-30 Coppelia is a comedic ballet originally choreographed by Arthur Saint-Leon to music by Leo Delibes. Dr. Coppelius is a doctor who has made a life-size dancing doll. It is so lifelike that Franz, a village youth, becomes infatuated with it and sets aside his heart's true desire, Swanhilda. She shows him his folly by dressing as the doll, pretending to make it come to life and ultimately saving him from an untimely end at the hands of the inventor.

April 27-30 Coppelia is a comedic ballet originally choreographed by Arthur Saint-Leon to music by Leo Delibes. Dr. Coppelius is a doctor who has made a life-size dancing doll. It is so lifelike that Franz, a village youth, becomes infatuated with it and sets aside his heart's true desire, Swanhilda. She shows him his folly by dressing as the doll, pretending to make it come to life and ultimately saving him from an untimely end at the hands of the inventor.